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Business · National

Aaron Sorkin Concedes Directing Limits After The Social Reckoning Underperforms

The writer cites a lack of visual instinct and admits the $40 million film's $15 million global take falls short of expectations.

By Javier Sanders ·

Illustration for: Aaron Sorkin Concedes Directing Limits After The Social Reckoning Underperforms
Illustration generated for this article, not a news photograph.

Aaron Sorkin stated that he is "very worried" the deficiencies in his directing skill set are inherent to talent rather than learnable mechanics. He made the comments during an interview recorded last week at the Newport Beach Film Festival, where he accepted the Maverick Director Award for The Social Reckoning.

Sony Pictures released the film nationwide on Oct. 9, 2026. The movie, which Sorkin also wrote, has grossed $15 million worldwide against a production budget of $40 million. On the Rotten Tomatoes review aggregator, the film holds an approval rating of 54 percent, a figure Sorkin described as a disappointment compared to the reception of his previous work.

The Social Reckoning depicts the internal knowledge at Facebook regarding the platform's societal impact and the subsequent whistleblower narrative. The cast includes Mikey Madison as the whistleblower, Jeremy Allen White as a journalist, and Jeremy Strong as Mark Zuckerberg. This project follows The Social Network, a 2010 film Sorkin wrote that David Fincher directed. Sorkin noted that he would have preferred Fincher to direct this new film, but Fincher holds an exclusive deal with Netflix while Sony owned the rights to this project.

Sorkin, 65, has written screenplays for 35 years, including A Few Good Men, The American President, and Charlie Wilson's War. He has directed four features, including Molly's Game, The Trial of the Chicago 7, and Being the Ricardos. He acknowledged that his transition behind the camera has presented a steep learning curve, specifically regarding the technical use of the camera.

"I was surprised by how little of the science of filmmaking I'd managed to absorb," Sorkin said. "I have no visual sensibility, it turns out." He distinguished this challenge from working with actors, stating that his ability to direct performances remains strong.

He compared his current position to football coaches who claim the necessary elements for a victory were present but did not align. "There are things that I've been doing right along the way," he said. "Just give me one more chance, and one of these days I'll be able to put it all together."

Sorkin also addressed the economic shift in the film industry during the interview. He observed that among his 11 feature films, most would not qualify as theatrical releases in the current market. "I think they would all have to be streaming," he said, noting that only A Few Good Men might still fit the traditional mid-range theatrical model.

The interview also covered his plans for a Lincoln Center revival of A Few Good Men, which is being reimagined for the stage. Sorkin said he is rewriting the material, describing it as a new play because he was young when he first wrote it. He also expressed a desire to revive the television series The West Wing, provided he can develop a substantial story beyond dialogue.

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